Now above all, this is a photographic phone, which will no doubt become famed for its camera just as its predecessor was. The P30 Pro should set the bar even higher.

Firstly looking at the camera array on back, you get: a 40MP 27mm f/1.6 ultra wide-angle main sensor, a 20MP wide-angle 16mm f/2.2 and an 8MP 5x optical periscope zoom lens, plus a ToF lens which we first saw on an Oppo prototype at MWC this year.

On paper, the zoom lens gets the nod of approval and with our short time testing it so far, it’s really impressive. Especially the image stabilisation as we zoomed very closely on the restaurant sign (pictured below) I could feel the camera working hard to counteract my wobbling.

The company promises 10x lossless zoom. How? In short, thanks to a combination of the P30 Pro’s focal length (equivalent of 135mm for an optical zoom of 7.8x), and data from the main camera sensor which pushes it to that 10x figure.

The front facing camera has upped to 32MP – which is arguably more detail than anyone could possibly want. Maybe that’s just us though. Portrait mode works well on selfies and even in dim lighting – the photos are bright. There’s ‘beauty’ mode again which, thankfully, can be switched off.

Huawei, with Leica, have manufactured a new SuperSpectrum Sensor, so instead of RBG it uses RYYB. What this means to us simple folk is that more light can be absorbed. From swapping the green to yellow – as yellow can take in both green and red, there is more light information to work with, therefore, crisper photos.

Light Sensitivity ISO up to 400,000 from 102400 on the P20 Pro which means this should work wonders for night shooting – we’ll have to test that out as soon as we get our hands on one for longer than an hour.

There’s a new HDR+ mode with uses machine learning for pro lighting effects based on a light exposure map and you can tweak where you want the light to be centred.

The new ToF camera sits above a light – they work in sync so that the sensor can accurately record how long it takes for the light to be reflected back off an object. This is handy for accurate reading of objects and also great for increasing depth and bokeh. In theory, the camera array should have a better understanding of the content.

If video is more your bag, there’s a new dual view video which uses two cameras at the same time. So you can basically be filming two things at once – which sounds all kinds of crazy and actually quite mind boggling. We could really do with an extra brain to keep tabs on one of the frames.

Imagine if you’re shooting a football match, have one camera on the entire pitch and another closing in on the action. Yet it’s all recorded as a single video.

Huawei also promise excellent low light performance in video mode – we’d need to spend a lot more time shooting some, er, B-roll to really see if Spielberg would be impressed.